The fall 2019 men’s shows have wrapped, and T’s photographers were on the ground to catch all of the action in London, Milan and Paris. Here, a day-by-day recap, along with our favorite images from the runways.
At his first stand-alone men’s wear show for Celine, Hedi Slimane delivered a very Hedi collection that featured New Wave tailoring with a rock edge. From sequin blazers and studded leather jackets to boxy overcoats paired with skinny ties and looser cropped trousers (and nary a sneaker), Slimane made the case for a more dressed-up, polished look.
An entirely bubble-wrapped room set the stage for Thom Browne’s fall men’s collection, in which he deconstructed the navy and gray tailoring that has defined his aesthetic, presenting a series of tromp l’oeil suit dresses and draped, gownlike bricolages of his suiting staples.
In his debut men’s wear runway show for Loewe, Jonathan Anderson displayed his effortless fusion of craft, quirk and luxury — a mix that’s become signature to the brand. He showed an eclectic collection that included chaps-style boots, homespun knits (some adorned with gemlike pebbles), relaxed tuxedos paired with elongated shirt sleeves and rectangular eyewear on almost every model.
At the Dior Men show, models stood as still as statues while traveling down a 250-foot-long moving runway wearing the latest garments from the artistic director Kim Jones. The “tableaux vivants” highlighted the collection’s architectural tailoring, combining romantically draped wraps, futurist utilitarian vests, assorted animal patterns (taken from Mr. Dior’s first collection) and original prints — some referencing the Mona Lisa — by the artist Raymond Pettibon.
At first sight, Rei Kawakubo’s latest offering for Comme des Garçons Homme Plus appeared to be a heavily punk-inspired collection complete with spiky harnesses, deconstructed suiting and layers of fishnet worn by stomping models angrily gesticulating at the crowd. But hidden among all the black were beautiful jewel-toned brocades, evening coats flecked with sparkle and shiny shirt dresses.
For his sophomore collection as Louis Vuitton’s men’s artistic director, Virgil Abloh transported his guests to a gritty New York City street corner. He paid tribute to Michael Jackson in a collection that combined King of Pop embellished jackets and flag-pleated skirts with monogrammed quilted puffers and plenty of covetable travel accessories.
Illuminated by an eerie searchlight on the runway, the ghostly, elongated models at the Rick Owens show wore the designer’s dark renditions of glam rock. Inspired by the work of Larry LeGaspi — the creative mind behind the 1970s “space-sleaze” looks of Kiss and LaBelle — Owens displayed high-collared wool coats with dramatic 3-D lacquered pockets, quilted jackets with lighting-bolt motifs, sharp shouldered jackets and black oily jeans atop David Bowie-esque platform boots. Billowing canvas pants and fuzzy raw-seamed shearling jackets offered a softer side to the collection.
In the gilded ballroom of the Shangri-La Hotel, Raf Simons showed a series of monastic dusters in his signature exaggerated and boxy proportions, all topped with helmet-shaped hats. Inspired by David Lynch films (a common reference for the designer), the collection began in a quiet neutral color palette and then exploded into a riot of color, from safety orange and neon pink to lavender, plum and mint. Lynchian images — like a crying Laura Dern from the movie “Blue Velvet” — even adorned some of the floor-length trenches and baggy knits.
Inspired by the story of “Frankenstein” and Mary Shelley’s struggle to publish it, Miuccia Prada referenced horror films for her Prada fall 2019 show. The result was a collection of finely tailored coats and suits in military silhouettes, plus a smattering of evening dresses — all occasionally accented by shaggy monster fur in cotton-candy colors.
On a runway walled with towering speakers, Francesco Risso sent out Marni’s fall collection — a riot of aggressively mixed prints and exaggerated proportions, oversize bouclé wool suits and big, bright layers.
With leopard prints, clear PVC, lace frills, baby purses and scores of bondage harnesses, Versace’s fall show was gloriously outré — and was a throwback to classic ’90s Versace, as well as a toast to the more liberated state of masculinity today.
On the final day of the London men’s shows, Craig Green presented a series of wearable, monochromatic suitlike silhouettes and plaid pieces. But it was the designer’s ruched plastic looks in the brightest of colors that attracted the most attention.
In an old power station, Charles Jeffrey Loverboy showed a dystopian collection, titled “Darling Little Sillies,” that took inspiration from “The Lost Boys,” “Lord of the Flies” and the stars of Warhol’s Factory.
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第56期香港挂牌“【陆】【彦】【泽】，【你】【还】【要】【自】【欺】【欺】【人】【吗】？【对】【于】【我】【为】【什】【么】【在】【这】【里】，【你】【难】【道】【一】【点】【也】【不】【知】【道】？”【迟】【月】【翻】【了】【个】【白】【眼】，【都】【这】【个】【时】【候】【了】【还】【嘴】【硬】。 “【这】【里】【很】【危】【险】，【你】【快】【回】【去】。”【陆】【彦】【泽】【听】【到】【迟】【月】【的】【话】，【也】【不】【再】【像】【以】【前】【一】【样】【表】【演】【大】【哥】【哥】，【而】【是】【神】【情】【蓦】【然】【冷】【了】【下】【来】。 【迟】【月】【无】【所】【谓】【的】【耸】【耸】【肩】，“【我】【竟】【然】【来】【了】【就】【不】【怕】，【你】【受】【伤】【了】【我】【帮】【你】【包】【扎】【一】【下】【吧】
【一】【步】，【两】【步】，【三】【步】…… 【缓】【慢】【朝】【前】【方】【光】【圈】【迈】【进】…… “【都】【笑】【一】【笑】【啦】，【又】【没】【说】【一】【定】【是】【什】【么】【事】【对】【不】【对】？【也】【许】【是】【好】【事】【呢】……” 【夏】【正】【轩】【率】【先】【挤】【出】【一】【个】【笑】【容】：“【你】【们】【想】【啊】，【整】【个】【世】【界】，【就】【我】【们】【三】【个】【玩】【家】，【岂】【不】【是】【代】【表】【所】【有】【游】【戏】【空】【间】【的】【好】【东】【西】，【都】【是】【我】【们】【的】，【随】【便】【挑】，【多】【好】【的】【事】【啊】！” “【也】【是】【喔】……” 【姜】【紫】【柔】【挤】【出】【一】
“【毁】【月】【势】【力】【又】【发】【起】【了】【对】【我】【们】【公】【会】【的】【入】【侵】，【恐】【怕】【骑】【云】【联】【盟】【那】【边】【也】【不】【例】【外】，【杨】【喵】【喵】【刚】【才】【打】【电】【话】【问】【你】【能】【不】【能】【上】【线】【主】【持】【大】【局】？” “【魔】【族】【入】【侵】？” 【井】【天】【一】【瞬】【间】【便】【嗅】【到】【一】【股】【阴】【谋】【的】【味】【道】，【而】【且】【将】【魔】【族】【入】【侵】【和】【早】【上】【发】【生】【的】【事】【件】【联】【系】【起】【来】。 【的】【确】，【自】【己】【前】【脚】【进】【医】【院】，【毁】【月】【势】【力】【那】【边】【后】【脚】【便】【得】【到】【消】【息】，【并】【且】【在】【势】【力】【入】【侵】【战】【冷】【却】【的】
“【寻】【龙】【分】【金】【看】【缠】【山】，【一】【重】【缠】【是】【一】【重】【关】，【关】【门】【如】【有】【八】【重】【险】，【不】【出】【阴】【阳】【八】【卦】【形】，【坎】【离】【震】【兑】【分】【四】【象】，【乾】【坤】【艮】【巽】【含】【八】【方】，【八】【方】【有】【生】【有】【死】【门】，【山】【泽】【通】【气】【风】【雷】【博】……” 【听】【着】【胡】【八】【一】【朗】【吟】【这】【段】【熟】【悉】【的】【口】【诀】，【何】【邪】【内】【心】【其】【实】【是】【有】【些】【恍】【惚】【的】。 【现】【实】【和】【虚】【幻】，【时】【空】【交】【错】，【到】【底】【哪】【个】【是】【真】，【哪】【个】【是】【幻】？ 【胡】【八】【一】【此】【时】【的】【气】【势】【已】【变】【得】【跟】【完】第56期香港挂牌【对】【不】【起】【各】【位】，【小】【殁】【大】【三】【了】，【现】【在】【要】【进】【入】【考】【验】【课】【程】【了】，【从】【现】【在】【开】【始】《【悲】【鸣】》【这】【本】【书】【就】【停】【更】【了】，【如】【果】【我】【考】【上】【研】【了】【以】【后】【可】【能】【还】【会】【将】《【悲】【鸣】》【的】【后】【续】【写】【完】，【对】【于】【真】【爱】【粉】【而】【言】【真】【的】【是】【非】【常】【抱】【歉】，【只】【能】【将】【无】【尘】【化】【魔】【的】【故】【事】【给】【大】【家】【看】【完】，【真】【的】【很】【抱】【歉】……
“【当】【然】【是】【准】【备】【好】【了】。” 【将】【手】【中】【的】【一】【团】【自】【然】【能】【量】【变】【幻】【出】【不】【同】【的】【模】【样】，【身】【披】【悲】【鸣】【斗】【篷】【的】【萤】【鸦】【就】【像】【是】【一】【位】【传】【说】【中】，【追】【逐】【自】【然】【的】【德】【鲁】【伊】。 “【我】【也】【没】【有】【问】【题】。” 【米】【迦】【勒】【周】【身】【的】【泯】【灭】【锁】【链】【在】【缓】【缓】【转】【动】，【让】【这】【位】【掌】【控】【着】【暗】【界】【之】【力】【的】【存】【在】，【就】【如】【同】【一】【只】【择】【人】【而】【噬】【的】【恐】【怖】【蜘】【蛛】，【这】【锁】【链】【就】【是】【其】【捕】【获】【猎】【物】【的】【蛛】【丝】。 “【那】【么】……
【两】【年】【后】。 【大】【锦】、【安】【国】、【离】【国】【三】【国】【鼎】【立】【之】【局】【愈】【发】【稳】【定】【了】，【三】【国】【较】【之】【两】【年】【前】【都】【更】【加】【繁】【荣】【昌】【盛】，【朝】【廷】【明】【政】，【百】【姓】【安】【居】【乐】【业】，【天】【下】【呈】【现】【一】【派】【祥】【和】【安】【乐】【的】【景】【象】。 “【咳】【咳】——”，【冷】【清】【咳】【嗽】【了】【好】【几】【声】，【最】【近】【精】【神】【越】【来】【越】【差】【了】，【精】【力】【也】【不】【如】【以】【前】，【现】【在】【她】【再】【也】【不】【碰】【棋】【盘】【了】，【整】【日】【里】【除】【了】【处】【理】【冷】【家】【生】【意】【上】【的】【事】【情】，【更】【多】【时】【候】【就】【是】【发】【呆】，